For Better or for Worse: I Am a “Dark” Writer

dark writer

For better or for worse, I am a dark writer.

It isn’t something I wanted to be as I grew up…it is more something that had to be done to give my inner grief a voice so that the pain and suffering did not overwhelm me. The events of my life have consumed me like maggots feasting on the carcass of a dead child. Have you ever wondered why the best of Irish writers are so dark and depressing? It is because they were flayed by mental anguish  They were compelled by lives lived in abject poverty, disease and general disrepair and despair. Bram Stoker, James Joyce, Samuel Beckett, Frank McCourt, …all suffered from severe moral disintegration, from morbid ideations brought about by the unrelenting ugliness that this so called “good life” thrust upon them.

The French poéts maudits; François Villon, Baudelaire and Rimbaud? These were simple men forced to live their lives outside or against society, awash in the abuse of drugs and alcohol, insanity, crime, and violence. They all died pitiful, painful deaths. Or how about the Americans? Sylvia Plath, Edgar Allen Poe, Charles Bukowski…each caught up in what life does best…grinding their souls to dust in the absence of any lasting hope until the merciful fist of death grabbed each by the ankle and pulled them under.

You may think I’m just cynical and indulgent…but I tell you, for every ray of sunshine you can conjure, I can show you ten bolts of lightning that rip and destroy. I am glad others have happiness….but I myself was pushed through this veil of insidious despair without my consent, and I’ve learned to navigate life in the absence of hope. And yes, I find some comfort there. It’s what I know.

People are always saying, “try and look on the bright side,” and to them I say, “ Look around you, for fuck’s sake!” There is an ocean of pain, agony, and suffering washing over the majority of the earth’s population…and you think platitudes and sweet rejoinders make a difference when the crows peck the eyes from a dead child who has starved in the Sudan? Or when 20 beautiful innocent children in Sandy Hook have their precious lives snuffed out, or when entire populations are being systematically wiped off the face of the earth for political expediency? Get real. Take off your rose-colored specs and take a deep look around you! Evil flourishes upon a people’s unwillingness to see. They are blinded by their blazing sunshine and forced optimism.

Yes, we live in the same world, but I see the shadows where you see the light. I don’t write this kind of crap because I have something to say…I write it because something which must be said has me to write it. My apologies for the rant…but I get so ill in my gut when people say, “there, there…the world is a beautiful place. Just try harder to be happy.”

The world is obscene and delusional. And it hurts.

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Writing for Ghosts

It is 4 a.m. and once again I am planted before the keyboard attempting to craft words into clever sentences…and there you go, failure in the first keystrokes. The good news, based upon my dearth of hits on WordPress, is that no one will read this anyway.

I once envisioned myself a budding writer, but now I am thoroughly convinced that feeling was nothing more than insomnia in the early morning hours combined with a pot of cheap coffee flushing out last night’s indigestion (don’t worry, that’s as graphic as I am capable of writing!)

I know I could be a good writer, if it wasn’t for all that grammar and words and things. But who am I kidding? It’s all about the words…the fucking words! (Hey, I used “dearth” in my second sentence…doesn’t that count for anything?) Well, I don’t have words or ideas or pesky plots, but what I do have is way too much time on my hands, so here you go.

When I write, I don’t have a particular audience in mind. Well, sort of, I guess…I have the ghosts of Baudelaire, Rimbaud, Hemingway, and Plath. Sweet Sylvia Plath. Lots of dead people who, while not necessarily helpful critics, at least show up in my head and watch the circus of confusion unfold. Sometimes I can hear the occasional clicking of the tongue, a sure sign to lay on the backspace and come at a line from a new direction. Or maybe the clicking is the melting cubes in Ernest’s posthumous cocktail. The revolver of his pistol being locked into place? Who knows? The point is, I’m often guided by the whispers of spirits.

It feels as though when I write it has less to do with me having something to say than something that has to be said having me to write it. (Wow, I just plagiarized myself..that last line was something I wrote a year ago!) But it’s true, nonetheless. I often find that it is sufficient for me to just press the keys, and somehow the story will tell itself. Don’t believe me? I just wrote everything above without a thought in my head.

The key to being a great writer, I’m convinced, is to be a great reader. There is nothing I can say now, or will ever write, that hasn’t been said or written before. But a studious reader understands that there are a million ways to say the same thing, and that’s the beauty, and salvation, of writing. You don’t have to be original. You just have to have a unique dialect. In my case, it also helps to have a really poor opinion of most of today’s writing. I continually lie to myself and say, “I can do better!” And sometimes…I do. Then I pull down a worn copy of Pushkin and think, “shit..fuck this!! I can’t write!” And again, I am right.

So I continue my early morning ritual and if it’s true what they say, that if you give 1,000 monkeys 1,000 typewriters, in a thousand years, one of them will bang out the complete works of William Shakespeare, then surely, if this continues for a thousand mornings, I can bang out something worth reading.